The International Journal of Film and Media Arts  is a semiannual publication focusing on all areas of film and media arts research and critique, namely animation, television, media arts and videogames, and their varied social and cultural forms of expression and materialisation.

Since 1979, Art Electronica have been analysing digital transformation and its impact on our society. Together with experts from the fields of art, science, technology, and activism, we develop projects, strategies, and skills to actively shape this change and thus our future.

The seeds for ANAT were first sown in 1984 through Interface, an art and technology project presented at the Adelaide Festival of Arts. Its popularity led to a research-based pilot in 1985 and a national consultancy tour in 1987, culminating in ANAT incorporating as the Australian Network for Art in Technology in 1988. Over the past four decades since its incorporation...

This is a call-out for contributions to the Royal College of Art’s symposium Immersive Acts: Disrupting the Frame by Otherwise Narratives, inviting practitioners to propose work that examines how diverse perspectives and intelligences can intersect with immersive experiences to reframe planetary and societal concerns.

ANAT and the Multi-Arts Pavilion, mima (MAP mima) are partnering to offer a 2026 Residency and Commission that brings together an artist and a scientist to create a new immersive work for MAP mima’s 360-degree projection Cube. The program provides time, space and support for experimentation and collaboration. The commission is co-sponsored by ANAT and Lake Macquarie City Council (LMCC).

Drawing on more than 2,000 submissions from 71 countries, The Liminal Review is a global white paper produced by the Lumen Prize that offers a rare snapshot of emerging artistic practices, technologies and cultural shifts. It serves as an essential reference point for curators, researchers and practitioners working across immersive media and contemporary digital culture.