In this article Tim Boykett, international media artist/researcher, responds to attending the boorda yeyi Intensive Mentorship program as guest mentor.

PICA presents immersive exhibition Under Waters by Friends With Computers at Perth Festival 2026

This article was originally published in the January/February 2026 print edition of Art Guide Australia.

un Magazine is excited to announce their first call out for proposals for 2026 magazine submissions! Proposals are due by midnight 1 December 2025 AEDT. Late or incomplete submissions may not be considered.  As computation labours for the masters in the service of surveillance, disinformation, and authoritarian control, the question is not whether artists should engage with technology, but how —...

OpenAI’s Sora 2 mainstreams the collapse between irony and information, threatening the basic conditions under which documentary can operate. This article was commissioned by The Synthesis, a monthly column exploring the intersection of Artificial Intelligence and documentary practice.

A look at how the PKKP people are leading a restoration of the destroyed Juukan Gorge rock shelter using digital scans, mould-making and cultural knowledge.

Adina Pintilie represents Romania at the 59th International Art Exhibition – La Biennale di Venezia 2022 with You Are Another Me—A Cathedral of the Body. This project is a multi-channel video installation featured at the Romanian Pavilion, with a virtual reality extension showcased at the New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice, blending immersive...

CPH:DOX is one of the world’s leading documentary film festivals, renowned for its innovative approach and commitment to pushing the boundaries of documentary filmmaking. Its talent development program, CPH:LAB, encourages creative risk-taking, celebrates emerging talent, and fosters cross-border collaboration, supporting visionary filmmakers in expanding the possibilities of the genre.

This freely available, online resource focuses on choreographic work in the context of the museum and addresses how we can better serve and represent the artist in this context. Drawn directly from our research into the field of practice through interviews, consultations and practical case studies, all information is designed specifically to improve conditions for artists working in this field...

BLEED is a six year project that supports artists and audiences to create and experience cutting-edge art, culture and ideas across diverse mediums, time zones and borders, and probes the extent to which digital technology can deepen our understanding of one another. BLEED 2024 was presented by a national consortium of partners, Arts House (VIC), Campbelltown Arts Centre (NSW) and...